Lewis Cowdry Film Studies

Making of Narnia Exterior We used a forest in Wymondham which was local to us so it wasn't too long of a walk to get to. Although, it was very cold and quite frosty, this just added to the atmosphere we wanted for Narnia as it supposed to be winter time. We made sure that our actors (when they weren't being filmed) had warm coats on as we didn't want them to get too cold.  We chose to not do snow to make our Narnia as we thought it would create too much mess and it would be hard for us to get the snow in every angle we wanted to film. If we were to do snow, it would mean that we would have to limit what we could film as we would have to make sure snow was in every scene and cover a lot of the forest area which would mean a lot of time would be spent after cleaning it up. We also chose not to use a lamppost as there wasn't any nearby to where we were filming so instead we used a tree as we believed it would be more effective than just having a lamppost in the

DIRECTING STYLE EXTERIOR SHOTS For our LION THE WITCH AND THE WARDROBE scenes, I looked at multiple directors, each with their own distinctive styles. I specifically looked at Wes Anderson, as his warm hues and centralised characters create interesting final outcomes. These images show how we have used the warmer hues and tried to centralise the characters. The lighting also created this warmer effect as the sun had been setting. These images are stills from the first part of the scene, when the two characters - Mr Tumnus and Lucy are outside, and when they first meet. The camera work was important, as we wanted to capture the bewilderment on Lucy's face as well as Mr Tumnus' shock of seeing a human. The directing style itself had been quite simple, because I didn't want to over complicate it. As I also played a large role in creating the storyboards, it allowed me to direct each scene nicely. DID ANY OF YOUR STORYBOARD IDEAS CHANGE ON SHOOT?

After reading the script it is clear that it uses linear narrative, which is when a scene or story has a defined start, middle and end with no cutaways from that order. This is the traditional way of telling stories as it is straightforward to understand, which is especially helpful in Narnia, as it is a children’s story. Linear narrative is used to great effect in this scene to build audience engagement in the world inside the wardrobe, as it allows them to take in the new surroundings at a good pace, in the scene there are a lot of long drawn out parts which help ease the viewer into taking in the new environment. This is often used in films, one example could be Star Wars, every time they visit a new planet there are usually slower paced conversations or shots of the environment to help the viewer adapt from environment to environment. A theoretical effect we could use within our video is the Kuleshov Effect. An example of a location within the script where we could use thi

COSTUME AND MAKE-UP          MR TUMNUS                                                                LUCY             Make up:                                                                     Make up:          Concealer                                                                      Lip tint           Eyeliner                                                              Natural eye shadow    Face Paint - Black, White                          Brown contour or eyeshadow - freckles      Setting powder                                                                Concealer      Contour powder                                                           Setting powder             lip tint              Mascara                                                                       Costume:           Costume:                                                Grey school skirt and white blouse                                                                        

List of the settings in our script : Narnia Alternative Universe Mr Tumnus' House Lampost Scene Frosty Forest The Wardrobe into Narnia Scene Images of potential settings that can work and reasons why : P lantation Garden -   The Plantation Garden is a Grade II English Heritage registered garden close to Norwich City centre, next to the Catholic Cathedral. The Garden comprises nearly 3 acres and its features include a Gothic fountain, flower beds, lawns, an Italianate terrace, ‘Medieval’ wall, summer-house, woodland walkways and a rustic bridge. It is an idiosyncratic garden, a haven of peace and tranquillity and a glimpse into a bygone age. Mousehold Hill - Mousehold Heath is an area of heathaland and woodland which lies in north east Norwich, England and a designated Local Nature Reserve . It is now mostly covered by broad-leaf semi-natural woodland, although some areas of heath remain and are actively managed. This location would be ideal for our scene of Narnia,

WORKING FROM A SCRIPT : CASTING AND CHARACTERS There are only two characters in the scene that we are working on, they are Lucy Pevensie and Mr Tumnus. Lucy :  She is the youngest of the four Pevensie children, is the most level headed and wise, while also maintaining her child-like qualities. She is very trusting and immediately knows that Mr Tumnus is a good, reliable friend even though he admits that he was going to kidnap her. In this specific scene we particularly see her vulnerability and naivety as at only 8 years old she wonders off into a different world without fears or worries that a lot of other children would experience at her age. In the short scene that we look at, we get to see her bravery and curiosity as she discovers Narnia and greets Mr Tumnus. Mr Tumnus : He is the first Narnian Lucy meets is Mr Tumnus who is a faun, which means he is half-man above his waist with curly, dark hair, a small beard and reddish skin, and half-goat below his waist, with hooves and